Saturday, April 19, 2025

Chromatic Aberration ~ software intervention Nikon Nikkor-S 50mm f/1.4 vs Sony 55mm f/1.8 FE ZA

Now that I was on a roll looking at chromatic aberration and sharpness software tools I hauled out an old Nikon Nikkor 50mm f/1.4 c.1972 and a currently manufactured Sony 55mm f/1.8 FE ZA. 

What follows is actually the second pass that I made at this specific comparison.  I tried photographing the Rescue Orchid against strong backlight and found the Nikkor-S flares badly.  So I flipped the scene around and shot with the light coming from behind me.  Chromatic aberration was still present, so I was able to process the way I've learned works well.

Then I took two additional software tools and tried to match the output of the Nikkor-S to that of the Sony 55mm.  I wanted to confirm what I already suspected, which is to say, with a little help, old lenses image might be made to look every bit as good as new.

Setup ~ 

  • Sony A6300 set on a tripod 
  • +2EV (because of the strong whites and knowing whites saturate at EV+3.5) 
  • 2 second self timer
  • ISO100 focusing on the stick 
  • Images made at f/5.6 and f/11
  • Processed in RawTherapee 
Voila! encore a mundane scene of my Rescue Orchid - 
 
Scene for Nikkor S 50mm, Sony 55mm CA comparison
 
Three processing steps and sharing the results in the following image -
  • Demosaic and only color management as the starting point
  • Add RAW -> chromatic aberration correction to the starting point
  • Add Capture Sharpen to chromatic aberration, demosaic, and color managed image

Sony 55mm f/1.8 FE ZA, Nikon Nikkor S 50mm f/1.4 CA Comparison

Using  

  • Rawtherapee -> Detail -> Local Contrast 
  • Rawtherapee -> Detail -> Sharpening 
 I took a quick look at matching the Nikkor-S to the Sony FE.

Software Intervention comparison

 

Comments ~

As in prior comparisons I see that the automated chromatic aberration correction does a fine job here.  There's not much CA in the Sony FE, so this lens is easy on the CA tool.  There is a bit more CA in the Nikkor, but this, too, cleans up quickly and nicely.

The Nikkor-S has less local contrast and is a touch softer than the Sony FE after CA correction and Capture Sharpen.  Adding two tools, then gently nudging the local contrast and USM sharpness I was able to show myself that at f/5.6 and f/11 the Nikkor-S and Sony FE have little useful/important/visible difference between them.

 

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