I enjoy learning about how Sony processes black and white images in-camera.
Using an A7RII I mapped the tonal response as a matrix of settings with tone patches that express the numeric value measured.
Selecting Contrast [0...-3] and DRO [Off...3] and normal jpg, and then adding as reference points two different tone mappings, which are outlined in 18percent gray -
- 1EV steps from -2EV to +7EV and letting the highlights linearly roll off to +4EV pure white and shadows to linearly toe to -5EV as pure black (which Sony has chosen as the bottom end of the processing range) - maximum tonal separation by luminance (not color)
- Fuji GFX100RF tonal response mapping - which I particularly like
Here is the (rather giant) map -
Comments -
Looking carefully at the map I see why our visit to Vienna and my use of Contrast -3 "worked" as well as it did. The shadow tones are fairly decent compared with any of the three references.
If I want the whites to "sparkle", Contrast -1 + DRO1 is quite nice.
If I want "creamier" highlights, Contrast -2 + DRO2 does the trick

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