One evening while casually browsing the internets and stumbling on someone waxing poetic about film cameras, rangefinders, and the "Leica esthetic" I remembered the two M3 I owned back in the early '80's. One had an old 50mm f/1.5 and the other a 35mm f/3.5 (if memory serves). I wanted to see if I could find that "Leica esthetic" and, relatedly, that "Leica look" for myself.
I was always looking for the "magic." Was it in the cameras? Was it in the lenses? This is why I tried so many different systems. There was a a Canon F1 (original) with four or five lenses, and a little later I had a Pentax MX and after that a Nikon FM system.
As for the "Leica look" and "Leica esthetic", other than the interesting rendering of the Leica 50mm f/1.5 when shot wide open I found my SLR images of the day to be very similar to the rangefinder. It took me many decades to realize the "magic" was the nut behind the viewfinder.
Which all lead to another late evening musing. I wondered how the sizes and weights of film camera equipment 40 years ago might compare to digital. So I did a quick spreadsheet of sizes and weights. Just because. Late evening musing. Right. Here it is.
Cameras | Weight | Length | Height | Depth |
Canon F1 | 820grams | 147mm | 99mm | 43mm |
Leica M6 | 575grams | 137mm | 77mm | 40mm |
Sony A7 | 474grams | 127mm | 94mm | 48mm |
Lenses | Weight | Length | Diameter | |
Canon FD | ||||
Canon 20mm f/2.8 FD SSC | 345grams | 75mm | 58mm | |
Canon 24mm f/2.8 FD SSC | 330grams | 66mm | 53mm | |
Canon 35mm f/3.5 FD SSC | 325grams | 64mm | 49mm | |
Canon 50mm f/1.8 FD SSC | 200grams | 63mm | 39mm | |
Canon 85mm f/1.8 FD SSC | 425mm | 67mm | 57mm | |
Leica | ||||
Leica Super-Elmar 18 f/3.8 | 309grams | 49mm | 61mm | |
Leica 24mm f/3.4 Elmar | 260grams | 40mm | 56mm | |
Leica Summarit 35mm f/2.5 | 220grams | 43mm | 51mm | |
Zeiss 35mm f/2.8 | 178grams | 30mm | 51mm | |
Leica 50mm f/2 Summicron | 242grams | 44mm | 53mm | |
Leica 90mm f/2 Summicron | 635grams | 102mm | 66mm | |
Leica 90mm f/2.8 Elmarit | 395grams | 76mm | 55mm | |
Sony | ||||
Tamron 20mm f/2.8 | 220grams | 64mm | 73mm | |
Sigma 24mm f/3.5 DG DN | 225grams | 64mm | 51mm | |
Sony 35mm f/2.8 ZA | 120grams | 37mm | 62mm | |
Sony 55mm f/1.8 ZA | 281grams | 71mm | 64mm | |
Sony 85mm f/1.8 | 371grams | 78mm | 82mm |
Comparing the old film camera dimensions to a 10 year old Sony A7 full frame device quickly shows how shapes have evolved. The Canon F1 was a rather hefty device, even back in the day. The Leica M-series was built rather like a brick (or so it seemed to me). If one preferred their SLR to be light and compact, Pentax made those wonderful M-series cameras and Olympus offered the OM-1.
Leica lens dimensions remain comparatively small, with the Sony digital lenses I choose being nearly as compact.
Comparing lens weights shows a couple things. Digital lenses can weigh less than old rangefinder optics. SLR lenses are monsters compared with these two, but we already knew that, right? Similarly, if one wanted to save size and weight while sticking to SLR bodies, Pentax and Olympus both offered some interesting things. I imagine there's a reason why lenses from Pentax and Olympus remain popular among the "focus peaking" crowd.
The obvious thing that has evolved over the years is capability and flexibility. Film was a one-trick pony. The ASA and color/monochrome selections were made when the film that was loaded into a camera. Lenses were strictly manual focus. How we used these old systems necessitated anticipating the needs of the situations we found ourselves in.
Come to think of it, that was really good training for moving into digital. Anticipation and planning can be helpful. It forces me to think through a situation in advance, rather than walking into a scenario flat-footed and having to react. Reacting leaves me all fumble-fingered and confused.
Wrapping up my late evening musings, it's absolutely remarkable how much technology we now have available to us, even as the size and weight of things have pretty much remained constant.
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